This post includes one or more affiliate links. If you purchase something after clicking through, we may receive a small commission from the designer, retailer or shop (thanks!) More info here.
Easy to forget, a century later, how influential the art around Fritz Lang’s 1927 film Metropolis was (and is). So much incredible, inspirational art deco/modernist art sprang up around it. The fonts! The design! The posters!
To be fair, that futurist look might be a little dark for some weddings (unless they are dystopian or robot themed weddings, in which case: you are awesome) but there are gorgeous elements in this art to inspire and expand on for any 20s themed wedding. (Especially color-wise, those gold and greens are gorgeous, no?)
Dolores Del Río was a silent screen star in the 1920s, a luminous icon of 1930s Hollywood, and then became one of Mexican film’s greatest stars. Born María de los Dolores Asúnsolo López-Negrete in 1904, she was one of the first and most beloved Latin American crossover stars in Hollywood. She had a torrid love affair …
Today’s Art Deco Hollywood style icon is the lovely Miss Myrna Loy. It was her 1934 role as Nora Charles that catapulted her to a much deserved stardom, though she had worked steadily in small silent parts earlier in her career as well . She was a phenomenal actress, comedienne and one of the great beauties …
The soft luster of white satin is exquisitely set off by pearl trimming in this Lucile-Paris wedding gown. Lucile suggests a striking innovation in bridal hosiery- Fanchon, faintest, most delicate flesh-pink, rather than white. Perhaps the most unusual of the new hosiery shades sent from Paris by Lucile is Fleur de Lis, the creamy ivory …
Mary Astor, born Lucile Vasconcellos Langhanke in 1906, was discovered at age 14 and became one of the true beauties of the silent era. Ultimately she also became one of the few silent stars who successfully made the transition to talkies. Despite the initial assessment that her voice was “too deep” for sound, she went …
Inspiration | Metropolis
This post includes one or more affiliate links. If you purchase something after clicking through, we may receive a small commission from the designer, retailer or shop (thanks!) More info here.
Easy to forget, a century later, how influential the art around Fritz Lang’s 1927 film Metropolis was (and is). So much incredible, inspirational art deco/modernist art sprang up around it. The fonts! The design! The posters!To be fair, that futurist look might be a little dark for some weddings (unless they are dystopian or robot themed weddings, in which case: you are awesome) but there are gorgeous elements in this art to inspire and expand on for any 20s themed wedding. (Especially color-wise, those gold and greens are gorgeous, no?)
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Dolores Del Río | Art Deco Hollywood
Dolores Del Río was a silent screen star in the 1920s, a luminous icon of 1930s Hollywood, and then became one of Mexican film’s greatest stars. Born María de los Dolores Asúnsolo López-Negrete in 1904, she was one of the first and most beloved Latin American crossover stars in Hollywood. She had a torrid love affair …
1930s Hollywood | Myrna Loy
Today’s Art Deco Hollywood style icon is the lovely Miss Myrna Loy. It was her 1934 role as Nora Charles that catapulted her to a much deserved stardom, though she had worked steadily in small silent parts earlier in her career as well . She was a phenomenal actress, comedienne and one of the great beauties …
Vintage Advertising | Holeproof Hosiery
The soft luster of white satin is exquisitely set off by pearl trimming in this Lucile-Paris wedding gown. Lucile suggests a striking innovation in bridal hosiery- Fanchon, faintest, most delicate flesh-pink, rather than white. Perhaps the most unusual of the new hosiery shades sent from Paris by Lucile is Fleur de Lis, the creamy ivory …
Mary Astor | Vintage Hollywood
Mary Astor, born Lucile Vasconcellos Langhanke in 1906, was discovered at age 14 and became one of the true beauties of the silent era. Ultimately she also became one of the few silent stars who successfully made the transition to talkies. Despite the initial assessment that her voice was “too deep” for sound, she went …